About
Praised for their “ringing and clear” tenor (The Toledo Blade), Morgan Mastrangelo is an Emerging Artist with Boston Lyric Opera, where they were most recently seen as Hades in Matt Aucoin’s Eurydice, Other recent credits at BLO include Don Ramiro in La Cenerentola, (cover), Marzio in Mitridate (cover), and Enoch Snow in Carousel (cover) Regional credits include Hades in the Opera Grand Rapids production of Eurydice, Count Almaviva in il Barbiere di Siviglia (Wichita Grand Opera), and Frederic in The Pirates of Penzance (New York Gilbert and Sullivan Players), Recent concert credits include their “eye-catching and ear-popping” debut with Boston Baroque as the Narrator in Bach’s Coffee Cantata, BWV 211, as well as the tenor solos in Bach’s BWV 5, 78, 94, 148, and 181 (Emmanuel Music, Boston) Handel’s Messiah, (Messiah Choral Society of Orlando), and Orff's Carmina Burana (Carnegie Hall). An avid interpreter of cross-genre projects and contemporary music, Morgan recently appeared with Contemporaneous in the world-premiere chamber-rock opera The Precipice, led by David Bloom, and at Lincoln Center as Michael in Bryce McClendon's musical play The Smallest Sound, in the Smallest Space, a role which they originated. Upcoming engagements include Ascanius/First Sailor in Errolyn Wallen’s Dido’s Ghost, (Emmanuel Music, Boston), Bach’s solo cantata for tenor Ich armer Mensch, ich Sündenknecht with Bach Vespers New York, Tonio in Daughter of the Regiment, (Boston Lyric Opera, cover) and a principal role in Michael Gordon’s opera What to wear (PROTOTYPE Festival/Beth Morrison Projects). They are the 2nd Prize winner of the 2025 Concours du chant Baroque Froville, Handel Aria Competition, American National Oratorio Competition, and the 2024 Lyndon-Woodside Oratorio Competition. They are an alumnus of the Young Artist Programs of Opera Saratoga and Teatro Nuovo and earned degrees from Northwestern University and New England Conservatory.
