Praised for their “ringing and clear” tenor (The Toledo Blade), Morgan Mastrangelo is an Emerging Artist with Boston Lyric Opera, where they were most recently seen as Hades in Matt Aucoin’s Eurydice, Other recent credits at BLO include Don Ramiro in La Cenerentola, (Boston Lyric Opera, cover), and Marzio in Mitridate (Boston Lyric Opera, cover). Regional credits include Hades in the Opera Grand Rapids production of Eurydice Count Almaviva in il Barbiere di Siviglia (Wichita Grand Opera), Edemondo in the modern premiere of Anna Di Resburgo (Teatro Nuovo, cover), Frederic in The Pirates of Penzance (New York Gilbert and Sullivan Players), and Tobias in Sweeney Todd (Opera Saratoga). Recent concert credits include their “eye-catching and ear-popping” debut with Boston Baroque as the Narrator in Bach’s Coffee Cantata, BWV 211. Other concert credits include the tenor solos in Bach’s BWV 5, 78, 94, 148, and 181 (Emmanuel Music, Boston) Handel’s Messiah, (Hudson Valley Philharmonic), Rossini's Petit Messe Solenelle (Opera Saratoga), and Orff's Carmina Burana (Carnegie Hall). An avid interpreter of cross-genre projects and contemporary music, Morgan recently appeared with Contemporaneous in the world-premiere chamber-rock opera The Precipice, led by David Bloom, and at Lincoln Center as Michael in Bryce McClendon's musical play The Smallest Sound, in the Smallest Space, a role which they originated. In 2025, they will also cover Enoch Snow in Carousel (Boston Lyric Opera), and join the cast of the Tony-Award winning musical, The Light in the Piazza at the Huntington Theatre. They are the 2nd Prize winner of both the 2025 American National Oratorio Competition and the 2024 Lyndon-Woodside Oratorio Competition, and are an alumnus of the Young Artist Programs of Opera Saratoga and Teatro Nuovo. They studied at Northwestern University and New England Conservatory.