Recent
Morgan makes their Boston Lyric Opera debut this season covering Don Ramiro in 2023’s La Cenerentola, as well as singing the role in BLO’s annual “Opera 101” Educational Outreach tour. In March 2024, they cover the role of Hades in the premiere of the chamber orchestra edition of Matt Aucoin’s Eurydice, conducted by the composer.
About
Morgan Mastrangelo sings bel canto, baroque, and music theatre repertoire with “sheer sweetness” (Cape Cod Times)
In 2024, Morgan Mastrangelo covered Hades in Boston Lyric Operas production of Matt Aucoin’s Eurydice, and sang Don Ramiro as part of BLO’s educational outreach production of La Cenerentola. Next, they sing Eisenstein in Die Fledermaus at New England Conservatory, and cover the principal role of Edemondo in Teatro Nuovo’s modern premiere of Carolina Uccelli’s Anna di Resburgo. 2023 saw Morgan’s role and company debuts with Boston Lyric Opera ( La Cenerentola, Don Ramiro [cover]), Wichita Grand Opera (Count Almaviva, Il Barbiere di Siviglia), The New York Gilbert and Sullivan Players (Frederic, The Pirates of Penzance) and City Lyric Opera (Gastone, La Traviata). The summer of 2022 saw Morgan's professional debut, as a festival artist with Opera Saratoga. There, they covered the role of Almaviva in Il Barbiere di Siviglia and sang Tobias in Sweeney Todd "with clarity and much feeling" (The Daily Gazette), opposite Broadway veteran Carolee Carmello.
At home in the music of the Baroque, they sing Bach Cantatas weekly with Emmanuel Music in Boston, this season singing the tenor solos in Bach’s BWV 5, 78, and 93. Other concert credits include the tenor solos in Handels’ Messiah, (Hudson Valley Philharmonic), Rossini's Petit Messe Solenelle (Opera Saratoga), Verdi's Requiem, (Fifth Avenue Presbyterian Church), and Orff's Carmina Burana — their solo debut at Carnegie Hall — with the New England Symphonic Ensemble.
They are the recipient of the Dean's Scholarship at New England Conservatory for 2023-2025 and are pursuing a Master of Music with Bradley Williams.
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