upcoming

Morgan Mastrangelo’s voice has been hailed as “fascinatingly flexible (Operawire) and “ringing and clear (The Toledo Blade)

As an Emerging Artist with Boston Lyric Opera, they recently covered Ramiro (La Cenerentola), Marzio (Mitridate) and Hades in Matt Aucoin’s Eurydice — A role they will reprise at Opera Grand Rapids in 2025. They are currently completing their Masters’ degree at New England Conservatory where they sang Eisenstein in Die Fledermaus and Jimmy in Later the Same Evening. In 2023, Morgan made role and company debuts with Wichita Grand Opera (Count Almaviva, Il Barbiere di Siviglia), The New York Gilbert and Sullivan Players (Frederic, The Pirates of Penzance) and Opera Saratoga, where they sang Tobias in Sweeney Todd "with clarity and much feeling" (The Daily Gazette).  At home on the concert stage, they recently won 2nd place at the 2024 Lyndon Woodside Oratorio Competition. Recent concert credits include the tenor solos in Bach’s BWV 5, 78, 93, 148, and 188 with Emmanuel Music in Boston, Handel’s Messiah, (Hudson Valley Philharmonic), Rossini's Petit Messe Solenelle (Opera Saratoga), Verdi's Requiem, (Fifth Avenue Presbyterian Church), and Orff's Carmina Burana — their solo debut at Carnegie Hall — with the New England Symphonic Ensemble. An avid interpreter of cross-genre projects and contemporary music, Morgan recently appeared in Grey Grant and Karl Ronneburg’s The Precipice, led by David Bloom and Contemporaneous, and originated the role of Michael in Bryce McClendon's musical play "The Smallest Sound, in the Smallest Space" at the Clark Studio Theatre at Lincoln Center. They are the recipient of the Dean’s scholarship at New England Conservatory, and study with Bradley Williams.